LONG, LONG AGO
Thomas Haynes Bayly (1833)
Intermediate BA2 - Unit 5 (Featured) Song-Melody
BUTTON-ACCORDION NOTATION-2 |
Beats per bar = 2
Beat symbol = Period ( . ) |
Verse 1: Buttons 3 to 5*
Verse 2: Buttons 2 to 5* |
Verse 1
:3 .3 .3* | :4 .4 .4* | :5 .5* .5 | ::4 |
Tell___ me the tales__ that to me__ were so dear________
o4 o3 o3 o3* o4 o3 o3 i3* o4 o3 i3* o3 o4 o3 o3 o3
:5 .4* .4 | ::3* | :4* .4 .3* | ::3 |
Long__ long a - go___________, long___ long a - go_________
o4 o3 i3* o3 o4* o3* o3* o3* i4* i3* o3 o3* o4 o3 o3 o3
:3 .3 .3* | :4 .4 .4* | :5 .5* .5 | ::4 |
Sing__ me the songs__ I de - light__ - ed to hear________
o4 o3 o3 o3* o4 o3 o3 i3* o4 o3 i3* o3 o4 o3 o3 o3
:5 .4* .4 | :3* .4 .3* | ::3~ | ~:: |
Long___ long a - go____, long a - go_________ ____________
o4 o3 i3* o3 | o4* o3* o3 o3* o4 o3 o3 o3 o4 o3 o3 o3
Verse 2
:5 .4* .4 | :3* .2 .2 | :4* .4 .3* | ::3 |
Now__ you are come___ all my fears__ are re - moved______
o4 o3 i3* o3 o4* o3* o3 o3 i4* i3* o3 o3* o4 o3 o3 o3
:5 .4* .4 | :3* .2 .2 | :4* .4 .3* | ::3 |
Let___ me for - get____ for how long___ you have roved_______
o4 o3 i3* o3 o4* o3* o3 o3 i4* i3* o3 o3* o4 03 03 03
:3 .3 .3* | :4 .4 .4* | :5 .5* .5 | ::4 |
Let___ me be - lieve__ that you love__ as you loved________
o4 o3 o3 o3* o4 o3 o3 i3* o4 o3 i3* o3 o4 o3 o3 o3
:5 .4* .4 | :3* .4 .3* | ::3~ | ~:: |
Long__ long a - go____, long a - go__________ ____________
o4 o3 i3* o3 o4* o3* o3 o3* o4 o3 o3 o3 o4 o3 o3 o3
Verse 3 has the same melody as Verse 1
Verse 4 has the same melody as Verse 2
:3 .3 .3* | :4 .4 .4* | :5 .5* .5 | ::4 |
Tell___ me the tales__ that to me__ were so dear________
o4 o3 o3 o3* o4 o3 o3 i3* o4 o3 i3* o3 o4 o3 o3 o3
:5 .4* .4 | ::3* | :4* .4 .3* | ::3 |
Long__ long a - go___________, long___ long a - go_________
o4 o3 i3* o3 o4* o3* o3* o3* i4* i3* o3 o3* o4 o3 o3 o3
:3 .3 .3* | :4 .4 .4* | :5 .5* .5 | ::4 |
Sing__ me the songs__ I de - light__ - ed to hear________
o4 o3 o3 o3* o4 o3 o3 i3* o4 o3 i3* o3 o4 o3 o3 o3
:5 .4* .4 | :3* .4 .3* | ::3~ | ~:: |
Long___ long a - go____, long a - go_________ ____________
o4 o3 i3* o3 | o4* o3* o3 o3* o4 o3 o3 o3 o4 o3 o3 o3
Verse 2
:5 .4* .4 | :3* .2 .2 | :4* .4 .3* | ::3 |
Now__ you are come___ all my fears__ are re - moved______
o4 o3 i3* o3 o4* o3* o3 o3 i4* i3* o3 o3* o4 o3 o3 o3
:5 .4* .4 | :3* .2 .2 | :4* .4 .3* | ::3 |
Let___ me for - get____ for how long___ you have roved_______
o4 o3 i3* o3 o4* o3* o3 o3 i4* i3* o3 o3* o4 03 03 03
:3 .3 .3* | :4 .4 .4* | :5 .5* .5 | ::4 |
Let___ me be - lieve__ that you love__ as you loved________
o4 o3 o3 o3* o4 o3 o3 i3* o4 o3 i3* o3 o4 o3 o3 o3
:5 .4* .4 | :3* .4 .3* | ::3~ | ~:: |
Long__ long a - go____, long a - go__________ ____________
o4 o3 i3* o3 o4* o3* o3 o3* o4 o3 o3 o3 o4 o3 o3 o3
Verse 3 has the same melody as Verse 1
Verse 4 has the same melody as Verse 2
Embedded youTube VIDEOS
Eleven videos in the keys: A=2 C=3 D=1 G=5
Many of the instrumental are short, covering only two verses. Note that the odd-numbered verses have a slightly different melody than the even-numbered verses.
Key: A (outside row of A-D accordion)
Tempo: ~80 bpm Guitarist: Luke Payne Posted by: Luke Payne Instrumental - guitar For playing along to this performance, I prefer the UPPER-RANGE notation; however, some of you may prefer the LOWER-RANGE notation. Your choice. |
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Key: A (outside row of A-D accordion)
Tempo: ~80 bpm Violinist: ? Posted by: SchneiderMusic Short instrumental (covers two verses) For playing along, the UPPER-RANGE notation is better suited to this violin & piano performance. |
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Key: C (inside row of G-C accordion)
Tempo: ~100 bpm Guitarist: ? Posted by: PickNStrum: The Guitar Woodshed Short instrumental - 2 verses For playing along, the LOWER-RANGE notation is better suited to this guitar performance. |
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Key: C (inside row of G-C accordion)
Tempo: ~120 bpm. Pianist: ? Posted by: JuzPiano Short instrumental - 2 verses For playing along, the LOWER-RANGE notation is better suited to this keyboard (piano) performance. |
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Key: C (inside row of G-C accordion)
Cellist: Andrew Clement Posted by: thecelloboy Instrumental - two verses with a simple rhythm, followed by two verses with a lively rhythm. For playing along, the LOWER-RANGE notation is better suited to this cello performance. |
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Key: D (inside row of A-D accordion)
Tempo: ~90 bpm Bassist: ? Posted by: StringClub Bass & Piano instrumental. For playing along, the LOWER-RANGE notation is better suited to this bass & piano performance. |
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Key: G (outside row of GC accordion)
Singer: Geraldine Farrar Posted by: John Wilson Very rare recording from 1913 - perhaps remastered. Singing is very clear. For playing along, the LOWER-RANGE notation is better suited to this performance. |
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Key: G (outside row of G-C accordion)
Tempo: ~110 bpm Pianist: Dr. Alan Huckleberry Posted by: UIPianoPed (University of Iowa Piano Pedagogy Video Recording Project) Piano instrumental Short - covers two verses only. For playing along, the UPPER-RANGE notation is better suited to this piano performance. |
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Key: G (outside row of G-C accordion)
Violinist: Jennifer Jeon Pianist: Jungjoo Bae Posted by: Jennifer Jeon Violin & Piano instrumental Instrumental - two verses with a simple rhythm, followed by two verses with a lively rhythm. For playing along, the UPPER-RANGE notation is better suited to this violin-piano performance. |
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Key: G (outside row of G-C accordion)
Tempo: ~135 bpm Cellist: Kayson Brown Pianist: Lawrence Gee Posted by: Learn2playCello Cello & Piano instrumental Short - just two verses. For playing along, the LOWER-RANGE notation is better suited to the Cello. |
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For those of you who like OPERA
Key: G (outside row of G-C accordion) Tempo: ~100 bpm Singer: Nino Nadiradze Posted by: nininininu I have never been a big fan of opera, but this singer is quite good, and her music is "relatively" easy to accompany on the button accordion. For playing along on the accordion, the UPPER-RANGE notation is better suited to her voice. |
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Background Materials, Information & Links
Lyrics:
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Tell me the tales that to me were so dear
Long, long ago, long, long ago Sing me the songs I delighted to hear Long, long ago, long ago Now you are come all my fears are removed Let me forget for how long you have roved Let me believe that you love as you loved Long, long ago, long ago Do you remember the path where we met Long, long ago, long, long ago Ah yes, you told me you'd never forget Long, long ago, long ago Then, to all others, my smile you preferred Love, when you spoke, gave a charm to each word Still my heart treasures the praises I heard Long, long ago, long ago Additional verses 5 & 6, that are included by some performers: Thought by your kindness my fond hopes were raised, Long long ago, long long ago, You by more eloquent lips have been praised, Long long ago, long ago, But by long absence your truth has been tried, Still to your accents I listen with pride, Blest as I was when I sat by your side, Long long ago, long ago. |
Background Links:
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