WITH ME NAVVY BOOTS ON
Time signature: 3/4
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Traditional
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UNDER CONSTRUCTION: Everything needs to be checked.
Button Accordion Notation
Beats per bar = 3
Beat symbol = Dot ( . ) or equivalent |
Either row (high) = Buttons 5 to9*
Inside row (low) = Buttons 2 to 5* plus o3* |
Verse 1 (of several)
"6 "7* | .7 .7* .7 | .6 .5* "5* "5 | "5* ;6 .7* | :6
"3 "3* | .4 .3* .4 | .3 .o3* "o3* "2 | "o3* ;3 .3* | :3
Oh I am an old nav-vy and I work on the line
"6 "6 | .6 .7 .8 | .8 ;7 "8 | "9* ;7 .6 | :7*
"3 "3 | .3 .4 .5 | .5 ;4 "5 | "5* ;4 .3 | :3*
And the last place I worked was New - cas - tle on Tyne
"6 "6 | .6 .7 .8 | .9* ;8 "9* | "8 ;7 .6 | :7*
"3 "3 | .3 .4 .5 | .5* ;5 "5* | "5 ;4 .3 | :3*
Well, I'll tell me mis - for-tune it happ-en'd in fun
"6 "7* | .7 .7* "7 "7* | .6 .5* .5 | .5* ;6 "7* | :6
"3 "3* | .4 .3* "4 "3* | .3 .o3* .2 | .o3* ;3 "3* | :3
Oh, it happ-en'd one night I'd me nav - vy boots on
"6 "7* | .7 .7* .7 | .6 .5* "5* "5 | "5* ;6 .7* | :6
"3 "3* | .4 .3* .4 | .3 .o3* "o3* "2 | "o3* ;3 .3* | :3
Oh I am an old nav-vy and I work on the line
"6 "6 | .6 .7 .8 | .8 ;7 "8 | "9* ;7 .6 | :7*
"3 "3 | .3 .4 .5 | .5 ;4 "5 | "5* ;4 .3 | :3*
And the last place I worked was New - cas - tle on Tyne
"6 "6 | .6 .7 .8 | .9* ;8 "9* | "8 ;7 .6 | :7*
"3 "3 | .3 .4 .5 | .5* ;5 "5* | "5 ;4 .3 | :3*
Well, I'll tell me mis - for-tune it happ-en'd in fun
"6 "7* | .7 .7* "7 "7* | .6 .5* .5 | .5* ;6 "7* | :6
"3 "3* | .4 .3* "4 "3* | .3 .o3* .2 | .o3* ;3 "3* | :3
Oh, it happ-en'd one night I'd me nav - vy boots on
Embedded youTube VIDEOS
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Total of 10 videos in various keys: A=1 B=1 C=2 Db=1 D=1 Eb=1 E=1 G=2
These videos use basically the same melody, but there are differences in lyrics, rhythm and/or tempo.
These videos use basically the same melody, but there are differences in lyrics, rhythm and/or tempo.
Key: C
Group: The Dubliners (original) Posted by: The Dubliners |
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Key: B
Singer: Seamus Moore Posted by: Patrick Mcdonagh |
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Key: Db
Singer: Liam Clancy Posted by: Liam Clancy - Topic |
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Key: Eb
Singer: Thomas Doran Posted by: Patrick Mcdonagh |
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Key: A
Singer: Anthony (Tony) Archibald Posted by: threelegsoman Played in G, with capo at 2, to sound in A |
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Key: D
Group: The Clancy Brothers Posted by: The Clancy Brothers - Topic |
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Key: E
Group: The Wild Folk Posted by: thewildfolk |
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Key: G
Singer: ? Posted by: Shamoozey Great singing, but not a good match to the accordion notation above. I kept it because it was the only video I found in the key of G. |
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Key: C
Group: The Islanders Posted by: The Islanders |
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Key: G
Group: The Spinners (from England) Posted by: English Folk These lyrics may be somewhat older than the those featured in the previous videos. |
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Background Lyrics, Information & Links
Lyrics:
One of many versions on the same theme |
Oh, I am an old navvy and I work on the line
And the last place I worked was Newcastle-on-Tyne Well, I'll tell me misfortune it happened in fun Oh, it happened one night I'd me navvy boots on One night after supper I shaved off me beard For to meet me fair Ellen I was well prepared For to meet me fair Ellen I then hurried down And I met her that night with me navvy boots on I knocked on her window, my knock it was low I knocked on her window, my knock she did know She jumped out of bed saying: Is that you John? Ah, bejaybers it's me with me navvy boots on She came to the door and invited me in Saying: draw to the fire, love, and warm your skin Well the bedroom was open and the blankets rolled down So I jumped into bed with me navvy boots on And all of that night now we sported and played Never thinking of time as it soon passed away Then she jumped out of bed crying: What have I done? Ah, the baby will be born with his navvy boots on I chastised me loved one for talking so wild Ah, you foolish young girl, you'll never have a child Ah, for all that I've done now twas only in fun Ah, but I ran like hell with me navvy boots on And very soon after I was summoned to court To pay for me sins just like any man ought I pay ten bob a week now for all of my fun Ah, that I had that night with me navvy boots on |
Background
and Links: |
I'm not sure when, where, or by whom this song was written. However, the song is about a manual labourer (a "navvy") in North-East England, perhaps in the nineteenth century. At one point, about 30% of the Navvys in England came from Ireland, and some versions of the song show this Irish connection.
The first recording I could find, by The Spinners (an English folk group), is from the mid-sixties. It is possible (though by no means certain) that their lyrics were written by the Group's Hugie Jones, who wrote a number of songs that sounded like traditional English folk songs (Source: wikipedia) What makes this song humorous? Well, these sturdy boots were very important to these labourers; hence the term "navvy boots". It is said that they wore them everywhere, even to bed (joke), and wouldn't take them off for fear of their being lost or stolen. These men stereotypically had reputations for being tough, for being womanizers, for being fun-loving, and for often being less than honourable. The song reflects this stereotype. The song has also been adapted to other labourers, such as miners' "pit" boots and fishermen's "rubber" boots, and to other clothing, such as blacksmiths' leather "aprons" and dancers' "billycocks" (a type of bowler hat, popular with certain dancers long ago) The folksong With Their Rubber Boots On is a Newfoundland & Labrador fisherman version of this song, using a somewhat similar tune, and with slightly different lyrics (attributed by some to Fred Northcotte of Coppett & Ramea). It was popularized in the 1980's by Dick Nolan and by Harry Hibbs. |