Larry O'Gaff
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Time signature: 6-8
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A lively Irish Jig
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PAGE IS UNDER CONSTRUCTION
Everything needs to be checked.
Everything needs to be checked.
Accordion Notation
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Beats per bar = 2 Beat symbol = Dot ( ; ) or equivalent |
Version 1: Either row = Buttons 3 to 7 Version 2: Either row = Buttons 3 to 7 Version 3: Either row = Buttons 3 to 9* Version 4: Either row = Buttons 3 to 7 |
Part A is played and immediately repeated, and then Part B is played and immediately repeated. The < symbol shows where to stop & go back and the > symbol shows where each repeat begins.
There are several versions of this tune, including the four given below. These differences are also evident in the embedded youTube videos.
There are several versions of this tune, including the four given below. These differences are also evident in the embedded youTube videos.
VERSION 1. Composite of multiple sources and listening
Part A ( with > repeat < )
> > “(5 5* 6*) | “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “4* - “5 “5* “6* |
| “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 <
Part B (with > repeat < )
> “5 | “5 “6 “6 - “6 “6* “6 | “6 “6* “6 - “7* “6* “5 |
| “5 “7* “7* - “7* “7 “7* | “7* “6 “7* - “7 “6 “6 |
| “6 “7* “6 - “6 “6* “5* | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 < <
Repeat whole as often as desired.
Part A ( with > repeat < )
> > “(5 5* 6*) | “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “4* - “5 “5* “6* |
| “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 <
Part B (with > repeat < )
> “5 | “5 “6 “6 - “6 “6* “6 | “6 “6* “6 - “7* “6* “5 |
| “5 “7* “7* - “7* “7 “7* | “7* “6 “7* - “7 “6 “6 |
| “6 “7* “6 - “6 “6* “5* | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 < <
Repeat whole as often as desired.
VERSION 2: Based on "300 Fiddle Tunes (CENTERSTREAM Publ.), P.22
Part A ( with > repeat < )
> > “(5 5* 6*) | “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “4* - “5 “5* “6* |
| “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 <
Part B (with > repeat < )
> “5 | “5 “6 “6 - “6 “6* “6 | “6 “6* “6 - “7* “6* “5 |
| “5 “7* “7* - “7* “7 “7* | “7* “6 “7* - “7 “6 “6 |
| “6 “7* “6 - “6 “6* “5* | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 < <
Part A ( with > repeat < )
> > “(5 5* 6*) | “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “4* - “5 “5* “6* |
| “6 “3 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 <
Part B (with > repeat < )
> “5 | “5 “6 “6 - “6 “6* “6 | “6 “6* “6 - “7* “6* “5 |
| “5 “7* “7* - “7* “7 “7* | “7* “6 “7* - “7 “6 “6 |
| “6 “7* “6 - “6 “6* “5* | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 < <
VERSION 3: Mostly matched to the "fiddle castro"
youTube Video #4 (below, in key of D)
Part A ( with > repeat < )
> > “(5 5* 6*) | “6 “3 “3 - “7 “7* “6 | “8 “9* “8 - “8 “7 “6 |
| “8* “9* “8* - “7 “8 “7 | “7* “6 “7* - .5 "(5 “5* “6*) |
| “6 “3 “3 - “7 “7* “6 | “8 “9* “8 - “8 “7 “6 |
| “8* “9* “8* - “7 “8 “7 | “7* “6 “7* - .6 <
Part B (with > repeat < )
> “5 | “5 “6 “6 - “6 “6* “6 | “6 “7 “6 - “7* “6* “5 |
| “5 “6* “7* - “7* “6 “7* | “7 “6 “7* - .6 "6 |
| “6 “7 “7* - “6 “6* “5* | “5 “6 “5* - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 < <
youTube Video #4 (below, in key of D)
Part A ( with > repeat < )
> > “(5 5* 6*) | “6 “3 “3 - “7 “7* “6 | “8 “9* “8 - “8 “7 “6 |
| “8* “9* “8* - “7 “8 “7 | “7* “6 “7* - .5 "(5 “5* “6*) |
| “6 “3 “3 - “7 “7* “6 | “8 “9* “8 - “8 “7 “6 |
| “8* “9* “8* - “7 “8 “7 | “7* “6 “7* - .6 <
Part B (with > repeat < )
> “5 | “5 “6 “6 - “6 “6* “6 | “6 “7 “6 - “7* “6* “5 |
| “5 “6* “7* - “7* “6 “7* | “7 “6 “7* - .6 "6 |
| “6 “7 “7* - “6 “6* “5* | “5 “6 “5* - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “3 “3* - .3 < <
VERSION 4: Mostly matched to the Patrick Murphy
youTube Video #5 (below in key of G)
Part A ( with > repeat < )
> > “5 | .6 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “4* - "5 “5* “6* |
| .6 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “3* - .3 <
Part B (with > repeat < )
> “5 | .5 “6 - “6 “6* “6 | “6 “6* “6 - “6 “6* “5* |
| .5 “7* - “7* “6 “7* | “7 “6 “7* - .7 “7* |
| “6 “7 “7* - “6 “6* “5* | “5 “6 “5* - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 |1 & 2| “3* “4 “3* - .3 < <
End |2| “3* “4 “4* - “5 “5* “6* | .:6 |
youTube Video #5 (below in key of G)
Part A ( with > repeat < )
> > “5 | .6 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “4* - "5 “5* “6* |
| .6 “3 - “4 “3* “3 | “5 “5* “5 - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 | “3* “4 “3* - .3 <
Part B (with > repeat < )
> “5 | .5 “6 - “6 “6* “6 | “6 “6* “6 - “6 “6* “5* |
| .5 “7* - “7* “6 “7* | “7 “6 “7* - .7 “7* |
| “6 “7 “7* - “6 “6* “5* | “5 “6 “5* - “5 “4 “3 |
| “4* “5* “4* - “4 “5 “4 |1 & 2| “3* “4 “3* - .3 < <
End |2| “3* “4 “4* - “5 “5* “6* | .:6 |
Embedded youTube VIDEOS
Six videos in the following keys C=1 D=2 G=3
Most of these videos are short, so you may need to choose the "Loop" option on youTube.
Video #1
Key: C Group: Simani Guitar: Bud Davidge Accordion: Sim Savory Posted by: Simani - Topic |
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#2
Key: G PLayer: Jeremy Dicks Posted by: Jeremy Dicks |
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#3
Key: D from time 0 to 1:40 Larry O'Gaff followed by the "Bundle & Go" tune Artists: Dan Compton & Fran Siefer Posted by: Dan Compton & Fran Siefer - Topic |
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#4
Key: D Artist: ? Posted by: fiddle castro |
The youTube video immediately below matches the accordion notation for Version 3 above. It is relatively fast. When first attempting to play along with it, you may need to reduce its speed to 75% or even to 50%. |
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youTube VIDEO #5
Key: G Performer: Patrick Murphy Posted by: Patrick Murphy |
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Key: G
Group: The New England Conservatory Country Fiddle Band Conductor: Gunther Schuller Posted by: Pakasit Chanvinij |
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