BLACK VELVET BAND
Time signature: 3/4 With rhythm & lyrics slightly simplified
for "intermediate" learners. |
Traditional
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Accordion Notation
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Beats per bar = 3
Beat symbol = Dot ( . ) or equivalent |
Inside row (low) = Buttons 2 - 5 plus o3*
Accompanied by bass buttons o4, o3, i4 & i3 |
Chorus
.5 | :5 .5 | .4 .4* .5 | :4* .4~ | ~:
Her eyes__ they shone like the di - a - monds ______
(o3) o4 o3 o3 o4 i3* o3 i4* i3* o3 o4 o3
.3* | .3 .3* .4 | .3 .2* .o3* | .:2~ | ~.
You'd think she was queen of the land______ ___
o3* o4 o3* o3 o4 o3* i3* o4 o3 o3 o4
.5 .4* | :4 .4 | .2 .o3* .2* | :3 .3* | :4
and her hair__ hung o - ver her sho__ - ul - ders__
o3 i3* o4 o3 i3 o4 i3* o3* o4 o3 o3* o4 o3
.3 | .3* .4 .4* | .2* .3 .3* | .:3~ | ~:
Tied up with a black vel-vet band_____ _____
o3 o4 o3 i3* o4* o3 o3* o4 o3 o3 o4 o3
Verse 1 of 4 (or 5)
.5 | .5 .5 .5 | .4 .4* .5 | .4* :4~ | ~:
In that lit - tle town they call Bel - fast__ ______
o3 o4 o3 o3 o4 i3* o3 i4* o3 o3 o4 o3
.3* | .3 .3* .4 | .3 .2* .o3* | .:2~ | ~.
Ap - pren-ticed to trade I was bound____ ___
o3* o4 o3* o3 o4 o3* i3* o4 o3 o3 o4
:5 | 4 .4 .4 | .2 .o3* .2* | :3 .3* | :4
And__ man-y's an hour of sweet hap___- pi - ness__
o3 o3 o4 o3 o3 o4 i3* o3* o4 o3 o3* o4 o3
.3 | .3* .4 .4* | .2* .3 .3* | .:3~ | ~.
Was spent in that neat lit - tle town_____ _____
o3 o4 o3 i3* o4* o3 o3* o4 o3 o3 o4 o3
.5 .5 | :5 .5 | .4 .4* .5 | :4* .4 | :4
Till a sad__ mis - for - tune came ov____ - er me___
o3 o4 o3 o3 o4 i3* o3 i4* i3* o3 o4 o3
.4 | .3 .3* .4 | .3 .2* .o3* | .:2~ | ~.
Which caused me to stray from the land______ ___
o3 o4 o3* o3 o4 o3* i3* o4 o3 o3 o4
.5 4* | 4 .4 .4 | .2 .o3* .2* | :3 .3* | :4
Far a - way from my friends and re - la________- tions__
o3 i3* o4 o3 o3 o4 i3* o3* o4 o3 o3* o4 o3
.3 | .3* .4 .4* | .2* .3 .3* | .:3~ | ~:
Be - trayed by the black vel - vet band_____ _____
o3 o4 o3 i3* o4* o3 o3* o4 o3 o3 o4 o3
.5 | :5 .5 | .4 .4* .5 | :4* .4~ | ~:
Her eyes__ they shone like the di - a - monds ______
(o3) o4 o3 o3 o4 i3* o3 i4* i3* o3 o4 o3
.3* | .3 .3* .4 | .3 .2* .o3* | .:2~ | ~.
You'd think she was queen of the land______ ___
o3* o4 o3* o3 o4 o3* i3* o4 o3 o3 o4
.5 .4* | :4 .4 | .2 .o3* .2* | :3 .3* | :4
and her hair__ hung o - ver her sho__ - ul - ders__
o3 i3* o4 o3 i3 o4 i3* o3* o4 o3 o3* o4 o3
.3 | .3* .4 .4* | .2* .3 .3* | .:3~ | ~:
Tied up with a black vel-vet band_____ _____
o3 o4 o3 i3* o4* o3 o3* o4 o3 o3 o4 o3
Verse 1 of 4 (or 5)
.5 | .5 .5 .5 | .4 .4* .5 | .4* :4~ | ~:
In that lit - tle town they call Bel - fast__ ______
o3 o4 o3 o3 o4 i3* o3 i4* o3 o3 o4 o3
.3* | .3 .3* .4 | .3 .2* .o3* | .:2~ | ~.
Ap - pren-ticed to trade I was bound____ ___
o3* o4 o3* o3 o4 o3* i3* o4 o3 o3 o4
:5 | 4 .4 .4 | .2 .o3* .2* | :3 .3* | :4
And__ man-y's an hour of sweet hap___- pi - ness__
o3 o3 o4 o3 o3 o4 i3* o3* o4 o3 o3* o4 o3
.3 | .3* .4 .4* | .2* .3 .3* | .:3~ | ~.
Was spent in that neat lit - tle town_____ _____
o3 o4 o3 i3* o4* o3 o3* o4 o3 o3 o4 o3
.5 .5 | :5 .5 | .4 .4* .5 | :4* .4 | :4
Till a sad__ mis - for - tune came ov____ - er me___
o3 o4 o3 o3 o4 i3* o3 i4* i3* o3 o4 o3
.4 | .3 .3* .4 | .3 .2* .o3* | .:2~ | ~.
Which caused me to stray from the land______ ___
o3 o4 o3* o3 o4 o3* i3* o4 o3 o3 o4
.5 4* | 4 .4 .4 | .2 .o3* .2* | :3 .3* | :4
Far a - way from my friends and re - la________- tions__
o3 i3* o4 o3 o3 o4 i3* o3* o4 o3 o3* o4 o3
.3 | .3* .4 .4* | .2* .3 .3* | .:3~ | ~:
Be - trayed by the black vel - vet band_____ _____
o3 o4 o3 i3* o4* o3 o3* o4 o3 o3 o4 o3
Embedded youTube VIDEOS
Total of 15 videos in various keys: Ab=1 C=2 Db=1 D=2 D,E=1 Eb=1 E=2 G=5
There are many versions of the lyrics for this folk-song, collected from different countries (and regions), but most follow the same general story line and the same music (except for some small variations, mostly in tempo and occasionally rhythm). This also applies to the videos below.
Total of 15 videos in various keys: Ab=1 C=2 Db=1 D=2 D,E=1 Eb=1 E=2 G=5
There are many versions of the lyrics for this folk-song, collected from different countries (and regions), but most follow the same general story line and the same music (except for some small variations, mostly in tempo and occasionally rhythm). This also applies to the videos below.
Key: G
Singer: Harry Hibbs Posted by: quickaccent2006 |
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Key: G
Group: Celtic Thunder Posted by: Celtic Thunder |
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Key: Ab
Group: Irish Rovers Posted by: John Kenton |
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Key: G
Group: The Dubliners Posted by: The Dubliners |
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Key: D
Singer: Tony Archibald Posted by: threelegsoman |
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Key: C
Group: Eanair Singer: Mary Cathrine Hayes Posted by: Mary Catherine Hayes in Tennessee |
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Key: E
Group: Slainte Posted by: Carl Winter This group is from Clarenville, NL (Canada) |
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Key: Eb
Singer: Paddy Reilly Posted by: machree01 |
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Key: C
Singer: Allison Crowe Posted by: Allison Crowe Great performance! |
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Key: D
Group: Possibly Irish Singers: Makaio Caudel & Emma Ulveland Musicians: Abby Ulveland, Susan Vasley & Cabeau Schuerger Posted by: Possibly Irish |
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Key: E
Singer: Ewan MacColl (with backing by Peggy Seegar) Posted by: Ewan MacColl - Topic |
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Key: D from time 0 to 2:55
E from 2:56 to End Group: Foster & Allen Posted by: vincent donnelly Somewhat different lyrics than given above. From their album "Sing the Sixties" |
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Key: G?
Accordionists: Hector & Rob (Australia) Posted by: bertosvids Not quite matched to the accordion notation above, but still great. |
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Key: C# (=Db) from time 0 to 0:50
Then the tune changes Accordionist: Chris Whelan ? Posted by: sneezey 101 Playing a Hohner Tri-chord, with rows BCC#. |
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Key: G
Player: Mel Biggs Posted by: Mel Biggs Music Sounds like a DG button accordion Click here to access Mel Biggs' music web site. |
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Background Materials, Information & Links
Lyrics:
(Harry Hibbs version) Verse 1 Verse 2 Verse 3 Verse 4 Verse 5 |
Chorus: Her eyes they shone like a diamond,
You'd think she was queen of the land; And her hair hung over her shoulders, Tied up with a black velvet band. In the neat little town they call Belfast, Apprenticed to trade I was bound; And many's an hour of sweet happiness, Have I spent in that sweet little town. Till sad misfortune came over me, Which caused me to stray from the land; Far away from my friends and relations, Betrayed by the black velvet band. As I was strolling down Broadway, Meaning not long for to stay; When who should I see but this pretty fair maid, Come a-traipsing' along the highway. She was both fair and handsome, And her neck it was just like a swan; And her hair hung over her shoulders, Tied up with a black velvet band. As I was courtin' this pretty fair maid, And a gentlemen passin' us by; I knew she meant the doing of him, By the look in her roguish black eyes. A gold watch she took from his pocket, And placed it right into me hand; And the very next thing that I said was, Bad luck to the black velvet band. Before the judge and the jury, Next morning I had to appear; The judge he says to me, "Young man, Your case it is proven quite clear. I'll give you seven years at hard labour, To be served far away from this land." Far away from my friends and relations, Betrayed by the black velvet band. So, come all you jolly young fellows, A warning you'll take by me; Whenever you're out on the town, my lads, Beware of the pretty colleens. They'll fill you up with some drink, my lads, Till you are unable to stand; And the very next thing that you'll know is, You've landed in Van Dieman's Land. NOTE: Some performers reduce the number of verses, keeping the same general story, and some do the chorus only at beginning and end. |
Background and Links:
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This folk-song's story (and perhaps the song itself) most likely predates 1855, the year that the name "Van Dieman's Land" was changed to "Tasmania".
There are at least 100 versions of the lyrics for this song, collected from different regions (and countries), but most follow the same story line (though with different words) and the same music (except for some minor rhythm and tempo variations). While I haven't listened to all the online youTube performances, the many that I checked, including those embedded above, were all different in one way or another. This is common for older folk songs. The original song may, or may not, have been Irish. However, today it is primarily referred to as an Irish folk-song. Click HERE for additional (wikipedia) info about this song. |