Button-Accordion Tutorial Project
(Dual-row G-C or A-D, with Accidentals)
Based on tunes2play4fun.com & Facilitated by ZOOM
MINI-COURSE BA2
Intermediate Melodies & Tunes
UNIT FOUR (of TEN)
HARMONY - BASS-END CHORDS & CROSS-PLAYING
(For Melodies on Inside Row)
(Dual-row G-C or A-D, with Accidentals)
Based on tunes2play4fun.com & Facilitated by ZOOM
MINI-COURSE BA2
Intermediate Melodies & Tunes
UNIT FOUR (of TEN)
HARMONY - BASS-END CHORDS & CROSS-PLAYING
(For Melodies on Inside Row)
SLIDE SET & NOTES - INSTRUCTIONAL SESSION FOUR
SLIDES COMMENTS & EXPLANATIONS
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TOPIC 1: Brief Review of Inside-row Diatonic Sets & Accidentals
TOPIC 2: Bass-end Chords (Triads) and Their Constituent Notes
TOPIC 3: Matching Chords ob3 & ib3 (push & pull) to (Inside-row) Treble Notes
This series of slides develops the matching between the ob3 & ib3 chords and the inside treble row (buttons 2 to 10) while the bellows are being pushed and while they are being pulled.
This series of slides develops the matching between the ob3 & ib3 chords and the inside treble row (buttons 2 to 10) while the bellows are being pushed and while they are being pulled.
Zoom Slide 23: Featured Tune (i)
Our first featured tune showing the lyrics with the treble button notes directly above each sung syllable and each bass-end chord directly below. Although having each chord listed each time it is played may be conceptually the simplest, in practice I've found the pattern of the next slide to be more intuitive. |
OPTIONAL Topic 4: Matching Chords ob1 & ib1 (push & pull) to Treble Inside-row Notes
This topic is part of a future BA2 unit, and will be considered here only briefly, and mostly in summary.
This topic is part of a future BA2 unit, and will be considered here only briefly, and mostly in summary.
TOPIC 5: Matching Chords to Selected Treble Accidentals
The next two slides show that, except for the ob1* chord, there is no "good" or "great" matching in these two "accidental" tables. This is one of the reasons why accordion players often make substitutions for certain accidental notes.
The next two slides show that, except for the ob1* chord, there is no "good" or "great" matching in these two "accidental" tables. This is one of the reasons why accordion players often make substitutions for certain accidental notes.
TOPIC 6: Home Practice Suggestions.
TOPIC 7: Looking Ahead to Individualized Sessions 4
TOPIC 8: Looking Ahead to Unit 5